Funhouse Mirrors: Jane Eyre and Bertha Mason Dissertation

Tim Bartlett

ENG 396

March twenty-three, 2011

Funhouse Mirrors: Jane Eyre and Bertha Builder

" Anne Eyre” is actually a book centred around female duality. In a time when females were continue to expected to satisfy their " womanly tasks, ” Charlotte Bronte wrote a new dealing with a women's view on morality & libido, passion & sensibility, and conformity & insanity, amongst other themes. This motif of mix and match plays a strong part in the dynamism that makes up the publication, and is not limited to the themes, nevertheless is also accustomed to relate many of the characters to the titular Her. In " The Mystery at Thornfield, ” Valerie Beattie makes claims the fact that character Bertha Mason's insanity is a manifestation of rebellion toward the limitations of Even victorian women. Not simply is Bertha a symbol of the Victorian girl, but also a reflection of Jane herself. Thus, this shows that not simply is Bertha a representation of women inside the patriarchal contemporary society of the Victorian period, nevertheless so too, can be Jane. As a child, Jane shares many qualities with Bertha, but when the girl comes of age she starts to conform to be able to thrive within a male dominated society. Bertha, on the other hand, is incapable of this kind of reason and lashes away at the restrictions that situation her. Throughout the contrasts and similarities of Bertha Mason and Her Eyre, Charlotte Bronte provides a view on the position, and potential, of Victorian females.

As a child, Jane shares various commonalities while using character of Bertha Builder in relation to dealing with a male dominated society. Nevertheless at first Anne holds in her passions, despite her oppression simply by John Reed and Mrs. Reed, Her eventually asserts herself against John within a physical and violent method. This is similar to Bertha's violent outbursts and temper toward Mr. Rochester and those living in his residence. In Jane's case, the outburst seems more justified; she is merely acting away against her abusive cousin. However , when examined strongly, Bertha's violent attacks about Mr. Rochester are simply backlash from numerous years of neglect. These kinds of conniptions happen to be symbolic in the powerlessness experienced women in Victorian contemporary society. In this case, Mr. Rochester resembles the Reeds. Mrs. Reed becomes to some extent of a reinforcement of a man dominated society; being kept to maintain her husband's orphaned relative after his death can be oppressive with her (in Mrs. Reed's mind) and so as well, is the guideline John Reed takes over your house hold since the new man of the house. Steve Reed is likewise an obvious touch upon a patriarchal society. Though he is simply a young son, at the moment of his dad's death he became master of the home, taking over his mother and all those that answer to her. Mr. Rochester comes to not merely symbolize the Victorian man, but likewise exemplifies the oppression sustained by husbands at this time.

Throughout their fits of rage, both Jane and Bertha are likened to beasts. Her becomes " like a mad cat” (p. 69) while Bertha is usually compared to a " clothed hyena” (p. 381). This association to animals is usually notable mainly because males, who are seen as even more violent and physical than women, are typically the ones when compared to beasts. This kind of unorthodox evaluation brings about concepts of male or female roles, and seems to claim that Bronte believed women can be as physical and fierce since men. Beattie builds with this, " in classic fear films a potentially empowering affinity is out there between the female and the monster, enabling the articulation of deviant femininity” (Beattie, 1996). This creates another example of female duality between Bertha, the huge, and Jane, the female business lead.

Bertha's progressively frequent chaotic episodes cause her getting locked apart in a room where the lady cannot injury others or tarnish the name of Mr. Rochester. Jane suffers a similar destiny in her childhood by Gateshead, in which she is separated first in debt room, after which in the gardening shop, even during holiday fun. This oppression can be compared to that of girls in the Victorian era, which were even now expected by many people to find their particular place in...

Reported: Bronte, Charlotte now. Jane Eyre. Peterborough, Ont.: Broadview Press, 1999. Print.

Beattie, Valerie. " The mystery by Thornfield: representations of chaos in 'Jane Eyre '. " Research in the Book 28. some (1996): 493+. Academic OneFile. Web. twenty Mar. 2011.

Fry, Catherine. " Anne Eyre and Bertha Builder: Differing Reactions to Patriarchal Oppression. " University of Michigan-Dearborn. D. p., d. d. Net. 20 Mar. 2011..

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